’s Renaissance tour kicked off in Stockholm on Wednesday and it’s .
Queen B belted out an incredible setlist, blasting her way through banger after banger.
While the 41-year-old’s song selection was focused on her latest album Renaissance, she performed smash hits spanning her entire career, from Drunk In Love and Formation to Crazy In Love and Love on Top.
The Grammy-winner’s blockbuster show also saw her debut Cuff It, Summer Renaissance and Break My Soul live for the first time.
As for her stage setup, that it was an absolutely show-stopping affair, with Beyoncé incorporating everything from a floating horse (yes, really) to disco balls and robotic arms.
Check out the full setlist below:
The setlist for Beyoncé’s performance in Stockholm on Wednesday
The Signboard
Dangerously in Love 2
Flaws and All
1+1
I’m Goin’ Down (Mary J. Blige cover)
I Care
I’M THAT GIRL
COZY
ALIEN SUPERSTAR
Lift Off (Jay Z & Kanye West cover)
7/11
CUFF IT
ENERGY
BREAK MY SOUL
Formation
Diva
Run the World (Girls)
MY POWER
BLACK PARADE
Savage (Remix)
Partition
CHURCH GIRL
Get Me Bodied
Before I Let Go
Rather Die Young
Love on Top
Crazy in Love
Love Hangover
PLASTIC OFF THE SOFA
VIRGO’S GROOVE
Naughty Girl
MOVE
HEATED
MEGAMIX
THIQUE
ALL UP IN YOUR MIND
Drunk in Love
AMERICA HAS A PROBLEM
PURE/HONEY
SUMMER RENAISSANCE
Figures this week put the singer’s potential earnings at an eye-watering £1.6billion, which is even more than is expected to earn with her Eras tour.
 estimated that mum-of-three Beyoncé could be looking at a profit of over $2bn (£1.6bn), noting that estimates are based on ‘optimistic’ assumptions.
Said assumptions boil down to the number of fans buying tickets, but given the , that shouldn’t be a problem.
The outlet also said Beyoncé would pocket a ‘considerable share’ of merchandise sales and that by the time the tour wraps in September, the hitmaker could have grossed £1.9bn just from tickets.That figure is even higher than the magazine’s estimate for Taylor’s Eras tour, which it pins at around £1.5bn.
As for the head-spinning numbers, Forbes thinks it could be down to a post-pandemic boom, with fans desperate to see their favourite artists in person.
announced her return to the world’s stages in February and will promote her seventh studio album,
The will mark Bey’s first run of UK live performances since her On the Run tour – which made 48 stops across North America and Europe in 2018.Â